{"product_id":"nikon-af-s-24mm-f-1-4g-ed-retail-packing","title":"Nikon AF-S 24mm f\/1.4G ED (Retail Packing)","description":"\u003ch2 dir=\"ltr\"\u003e\u003cspan\u003eNikon AF-S 24mm Overview\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA wide perspective with the light-gathering power of f\/1.4.\u003c\/span\u003e\u003cspan\u003e The Nikon AF-S 24mm f1.4G ED is a fast Nikon F-mount prime designed around an expansive 24mm field of view, strong low-light capability and a high-grade optical construction. Its combination of width and brightness suits landscapes, architecture, interiors, night scenes, environmental portraits, documentary work and events where ambient light and surrounding context remain important parts of the image.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe optical formula contains 12 elements arranged in 10 groups, including two Extra-low Dispersion elements and two aspherical elements. Nikon's Nano Crystal Coat helps reduce internal reflections, ghosting and flare, supported by a rounded nine-blade diaphragm that contributes to smoother rendering outside the focus plane.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA built-in Silent Wave Motor handles autofocus on compatible Nikon bodies, and M\/A operation allows quick manual refinement through the focus ring. The 0.25m minimum focus distance also gives the lens useful foreground flexibility for compositions built around depth and scale.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOn the\u003c\/span\u003e\u003ca href=\"https:\/\/norwich-cameras.co.uk\/products\/nikon-d850-body\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"color: rgb(43, 0, 255);\"\u003e\u003cstrong\u003eNikon D850 body\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e, the lens retains its native 24mm FX perspective and suits high-resolution landscape, architectural and commercial photography where broad coverage and fine detail need to work together.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"ltr\"\u003e\u003cspan\u003e24mm Wide-Angle Perspective\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe 24mm focal length gives an expansive view without pushing perspective as aggressively as shorter ultra-wide optics. Large areas of foreground and background can remain inside the same composition, creating strong depth in outdoor scenes, interiors and architectural photographs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eForeground placement has a pronounced effect at this focal length. Rocks, paths, furniture, structural details and nearby objects can appear larger in relation to distant elements, giving a scene stronger visual depth when the camera position is chosen carefully.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eArchitecture benefits from the extra room around large buildings and interior spaces. Keeping the camera close to level helps vertical lines remain natural, especially where straight architectural geometry forms an important part of the image.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe\u003c\/span\u003e\u003ca href=\"https:\/\/norwich-cameras.co.uk\/products\/nikon-af-s-14-24mm-f-2-8g-ed\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"color: rgb(43, 0, 255);\"\u003e\u003cstrong\u003eNikon 14-24mm zoom\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e covers a broader wide-angle range and reaches considerably wider than 24mm. The fixed prime takes a different approach by concentrating on an f\/1.4 maximum aperture and a single, consistent perspective.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWith no zoom mechanism, composition depends on camera position. This fixed approach makes distance, foreground scale and edge placement particularly important, especially when working close to subjects.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"ltr\"\u003e\u003cspan\u003eF1.4 Aperture and Low Light\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cspan\u003ef\/1.4 maximum aperture\u003c\/span\u003e\u003cspan\u003e is the defining feature of the Nikon 24mm 1.4G. Compared with an f\/2.8 lens at the same shutter speed and ISO, f\/1.4 allows four times as much light to reach the sensor, providing a two-stop exposure advantage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis extra light has clear value indoors, after sunset and in venues where illumination is limited. Faster shutter speeds become possible before ISO needs to rise substantially, helping with moving people during events, documentary work and environmental portraits.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe wide aperture also changes depth-of-field control. A subject positioned close to the camera can stand apart from a distant background, giving a 24mm composition stronger visual separation without removing the surroundings from the frame.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe lens contains no optical Vibration Reduction system. Its low-light capability comes primarily from the large aperture, so static scenes photographed at very slow shutter speeds still benefit from steady camera technique or physical support.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe\u003c\/span\u003e\u003ca href=\"https:\/\/norwich-cameras.co.uk\/products\/nikon-af-s-24mm-f-1-8g-ed\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"color: rgb(43, 0, 255);\"\u003e\u003cstrong\u003eNikon 24mm f1.8\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e shares the same focal length in a lighter construction. The f\/1.4G differs through its larger maximum aperture and substantial optical build.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"ltr\"\u003e\u003cspan\u003eOptical Design and Image Quality\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Nikon AF-S 24mm f1.4G ED uses \u003c\/span\u003e\u003cspan\u003e12 elements in 10 groups\u003c\/span\u003e\u003cspan\u003e, with two ED elements and two aspherical elements forming the core of its optical correction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eExtra-low Dispersion glass helps reduce chromatic aberration around high-contrast edges. Bright skies, reflective surfaces, illuminated buildings and fine branches against strong backlighting can expose colour fringing, making ED glass particularly valuable in demanding scenes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTwo aspherical elements address distortion and other optical aberrations associated with fast wide-angle designs. Maintaining useful correction across an FX image circle at f\/1.4 places considerable demands on the optical system, making these specialised elements an important part of the design.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eNano Crystal Coat helps suppress reflections between internal glass surfaces. This supports contrast when sunlight, stage lighting, street lamps or illuminated windows appear near the image area and reduces the likelihood of distracting reflected artefacts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe rounded nine-blade diaphragm also shapes the appearance of defocused areas. Background separation at 24mm is less compressed than with a telephoto lens, but close subjects photographed at larger apertures can still stand clearly against the environment.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe\u003c\/span\u003e\u003ca href=\"https:\/\/norwich-cameras.co.uk\/products\/nikon-af-s-28mm-f-1-4e-ed-lens-black-in-stock-now\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"color: rgb(43, 0, 255);\"\u003e\u003cstrong\u003eNikon 28mm f1.4E\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e provides a slightly narrower wide-angle perspective with a similarly fast maximum aperture. The 24mm captures the surroundings from the same shooting position.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"ltr\"\u003e\u003cspan\u003eSilent Wave Motor Autofocus\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe built-in \u003c\/span\u003e\u003cspan\u003eSilent Wave Motor\u003c\/span\u003e\u003cspan\u003e provides autofocus on compatible Nikon cameras without depending on a mechanical focus drive inside the camera body. This AF-S design supports smooth operation across suitable Nikon DSLR systems.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eRear Focusing changes focus through internal optical movement. The main barrel does not extend during focusing, and the front filter thread remains stationary, which is useful when a circular polariser needs to keep its selected orientation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eM\/A operation combines autofocus with direct manual refinement through the focus ring. At f\/1.4, small changes in focus distance can visibly shift the sharpest part of a close subject, giving manual adjustment practical value in controlled compositions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe lens also transmits distance information to supported camera bodies, contributing to compatible exposure and metering functions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe\u003c\/span\u003e\u003ca href=\"https:\/\/norwich-cameras.co.uk\/products\/nikon-d780-body\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"color: rgb(43, 0, 255);\"\u003e\u003cstrong\u003eNikon D780 body\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e provides native F-mount operation with compatible autofocus, metering and electronic aperture control.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"ltr\"\u003e\u003cspan\u003eClose-Focus Performance\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMinimum focusing distance is approximately \u003c\/span\u003e\u003cspan\u003e0.25m\u003c\/span\u003e\u003cspan\u003e from the camera's focal plane, allowing foreground subjects to sit relatively close to the lens. At 24mm, this distance can create pronounced depth between a nearby object and the surrounding scene.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaximum reproduction reaches approximately 0.18x. This level does not provide true macro magnification, but it works well for environmental details, food, flowers, small objects and architectural features where context needs to remain visible.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe combination of close focus and f\/1.4 also increases control over background separation. A nearby focal point can remain prominent against softer distant detail without losing the broad visual character of the location.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eRear Focusing keeps the physical barrel stable across different focus distances, maintaining consistent handling during close and distant work.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"ltr\"\u003e\u003cspan\u003eFX and DX Compatibility\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Nikon AF-S 24mm f1.4G ED is designed to cover the Nikon \u003c\/span\u003e\u003cspan\u003eFX format\u003c\/span\u003e\u003cspan\u003e, where it provides its native 24mm perspective and an approximate 84-degree diagonal angle of view.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOn a DX-format body, the smaller sensor records a narrower section of the projected image circle. The resulting field of view is comparable to approximately 36mm on full frame, giving the same optic a moderate wide-angle character.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe\u003c\/span\u003e\u003ca href=\"https:\/\/norwich-cameras.co.uk\/products\/nikon-d7500-body\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"color: rgb(43, 0, 255);\"\u003e\u003cstrong\u003eNikon D7500 body\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e therefore presents a tighter field of view than an FX DSLR, fitting naturally into street, documentary, event and environmental photography.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe physical focal length remains 24mm and the maximum aperture remains f\/1.4 on both sensor formats. The difference comes from the area of the image circle captured by the camera.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis gives the lens two distinct visual roles across Nikon DSLR systems: broad wide-angle coverage on FX and a restrained environmental perspective on DX.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"ltr\"\u003e\u003cspan\u003eLandscape and Architecture\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eLandscape photography makes natural use of the wide field because foreground, middle distance and background can all remain active parts of one composition. Coastlines, countryside, woodland, mountains and urban scenes can gain a strong sense of depth from careful camera placement.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSmaller apertures increase depth of field where greater front-to-back clarity is required. On high-resolution cameras, moderate aperture settings can also preserve fine detail than extremely small openings where diffraction becomes increasingly visible.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA 77mm front thread accepts common screw-in neutral-density and circular polarising filters. Rear Focusing keeps the filter thread stationary during focus adjustments, helping a polariser retain its chosen orientation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eArchitecture benefits from the broad coverage in locations where stepping farther back is difficult. Rooms, building facades and large structures fit more easily inside the frame than they would with a normal prime.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe\u003c\/span\u003e\u003ca href=\"https:\/\/norwich-cameras.co.uk\/products\/nikon-af-s-24-120mm-f4g-ed-vr-black-retail-pack\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan style=\"color: rgb(43, 0, 255);\"\u003e\u003cstrong\u003eNikon 24-120mm zoom\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e begins at the same 24mm focal length and extends into standard and short-telephoto territory. The prime retains a four-times-greater light intake at f\/1.4 compared with f\/2.8 and a much larger advantage over f\/4.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"ltr\"\u003e\u003cspan\u003eNight and Astrophotography\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA 24mm field of view combined with f\/1.4 creates a strong foundation for night photography. City lights, illuminated streets, buildings and star fields can be recorded with shorter exposures than slower wide-angle optics need under comparable conditions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAstrophotography benefits from the large aperture because substantial light can reach the sensor before long shutter times create obvious star movement. Suitable exposure settings still depend on camera resolution, sky position, output size and the intended appearance of the stars.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFocus accuracy becomes especially important around infinity. Magnified live view on a compatible camera helps confirm small points of light before a longer night sequence begins.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePoint light sources near the outer areas of the frame can reveal aberrations more clearly at wide apertures. Closing the aperture modestly changes corner behaviour where exposure conditions allow it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe\u003c\/span\u003e\u003ca href=\"https:\/\/norwich-cameras.co.uk\/products\/nikon-af-20mm-f-2-8d\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"color: rgb(43, 0, 255);\"\u003e\u003cstrong\u003eNikon 20mm prime\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e offers broader sky coverage from the same position, producing a distinctly wider composition with a smaller maximum aperture.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"ltr\"\u003e\u003cspan\u003eEnvironmental Portraits\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe nikkor 24mm f1.4g keeps a subject closely connected with the surroundings, making it useful for people photographed inside workplaces, streets, interiors, landscapes and event venues.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAt f\/1.4, the environment can remain recognisable without every background detail carrying equal visual weight. Greater separation develops when the subject is close to the camera and the background lies farther behind.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWide-angle perspective requires considered placement around faces. Very short shooting distances exaggerate features nearest to the camera, and subjects positioned near the outer edges can appear stretched. More measured camera distance creates a natural rendering.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe\u003c\/span\u003e\u003ca href=\"https:\/\/norwich-cameras.co.uk\/products\/nikon-af-s-50mm-f1-8g\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"color: rgb(43, 0, 255);\"\u003e\u003cstrong\u003eNikon 50mm f1.8G\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e narrows the scene into a standard perspective, reducing the amount of surrounding environment included from a similar position.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe\u003c\/span\u003e\u003ca href=\"https:\/\/norwich-cameras.co.uk\/products\/nikon-af-s-105mm-f-1-4e-ed-lens\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan style=\"color: rgb(43, 0, 255);\"\u003e\u003cstrong\u003eNikon 105mm f1.4E\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e moves much farther towards compression and tight portrait framing, creating a clearly different visual role from the expansive 24mm view.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"ltr\"\u003e\u003cspan\u003eBuild and Handling\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Nikon AF-S 24mm f1.4G ED measures approximately \u003c\/span\u003e\u003cspan\u003e83mm in maximum diameter and 88.5mm in length\u003c\/span\u003e\u003cspan\u003e, with a weight of around 620g. Its physical construction is substantial for a fixed 24mm lens, reflecting the glass required to maintain an f\/1.4 opening across an FX image circle.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe 77mm screw-in filter thread accepts common photographic filters directly. Its stationary orientation during focusing is useful with circular polarisers and graduated systems that depend on careful positioning.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eNikon's G-type design contains no physical aperture ring. Aperture is controlled electronically through a compatible camera body, matching the operating method used by Nikon's later DSLR systems.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA rubber gasket around the mount adds protection at the connection between lens and camera. It does not make the equipment waterproof, so sensible care remains important in heavy rain, blowing dust and severe outdoor conditions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe HB-51 bayonet hood provides shading around the front element and adds physical protection during normal use. The CL-1118 soft case forms part of the original manufacturer package.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"ltr\"\u003e\u003cspan\u003eNikon F and Z Compatibility\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cspan\u003enikon af-s 24mm 1.4g\u003c\/span\u003e\u003cspan\u003e uses a native Nikon F bayonet mount, allowing supported FX and DX DSLRs to maintain autofocus, metering, distance communication and electronic aperture operation through a direct connection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eNikon Z bodies can use the lens through the\u003c\/span\u003e\u003ca href=\"https:\/\/norwich-cameras.co.uk\/products\/nikon-ftz-ii-mount-adapter-retail-packing-in-stock-now\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"color: rgb(43, 0, 255);\"\u003e\u003cstrong\u003eFTZ II adapter\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e, preserving access to established F-mount glass on the newer mirrorless system.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOn the\u003c\/span\u003e\u003ca href=\"https:\/\/norwich-cameras.co.uk\/products\/nikon-z8-body\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan style=\"color: rgb(43, 0, 255);\"\u003e\u003cstrong\u003eNikon Z8 body\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e, the adapted optic works with a high-resolution full-frame sensor and camera-based stabilisation, adding stabilisation from the body even though the lens itself contains no VR mechanism.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe\u003c\/span\u003e\u003ca href=\"https:\/\/norwich-cameras.co.uk\/products\/nikon-z6-iii-body\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan style=\"color: rgb(43, 0, 255);\"\u003e\u003cstrong\u003eNikon Z6 III\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e provides a different full-frame mirrorless platform centred on fast operation and hybrid performance, maintaining the 24mm field of view through the correct adapter.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe\u003c\/span\u003e\u003ca href=\"https:\/\/norwich-cameras.co.uk\/products\/nikon-z7-mark-ii-body-in-stock-now\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"color: rgb(43, 0, 255);\"\u003e\u003cstrong\u003eNikon Z7 II\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e places greater emphasis on high-resolution still photography and preserves the wide FX perspective when the F-mount prime is adapted correctly.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe\u003c\/span\u003e\u003ca href=\"https:\/\/norwich-cameras.co.uk\/products\/nikon-af-s-70-200mm-f-4g-ed-vr\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"color: rgb(43, 0, 255);\"\u003e\u003cstrong\u003eNikon 70-200mm F4\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e covers a distant telephoto range within the same F-mount ecosystem, creating a clear contrast with the wide-angle role of the 24mm optic.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"ltr\"\u003e\u003cspan\u003ePractical Limitations\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe fixed 24mm focal length provides no zoom range, so a major change in framing requires a different camera position or another lens. This limitation is most noticeable where movement is restricted by walls, crowds or fixed shooting positions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIts approximately 620g weight is also significant for a wide prime. The large f\/1.4 aperture and full-frame optical construction account for much of that mass, making the lens noticeably heavier than slower 24mm alternatives.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOptical Vibration Reduction is not built in. The bright aperture supports faster shutter speeds under limited light, but long exposures of static scenes still depend on stable technique, camera support or body-based stabilisation on compatible adapted systems.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eClose positioning can produce strong perspective exaggeration, especially around people and objects near the edges. The same characteristic can add impressive foreground depth to landscape images when used deliberately.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe G-type design also removes the physical aperture ring found on older Nikon optics. Full aperture control therefore depends on a compatible camera capable of electronic adjustment.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cspan\u003eNikon 24mm f1.4g ed\u003c\/span\u003e\u003cspan\u003e is defined by three core characteristics: a fixed 24mm FX perspective, a very bright aperture and Nikon F-mount construction. Those attributes distinguish it clearly from lighter wide primes, slower zooms and native Z-mount alternatives.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eCondition\u003c\/h2\u003e\n\u003cp\u003eThis listing is for the \u003cstrong\u003eNikon AF-S 24mm f\/1.4G ED\u003c\/strong\u003e lens in \u003cstrong\u003eretail packaging\u003c\/strong\u003e, ensuring it includes all original accessories and manuals, in either brand-new or like-new condition.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003ch2 dir=\"ltr\"\u003e\u003cspan\u003eFAQS\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cspan\u003eIs the Nikon AF-S 24mm f1.4G ED a full-frame lens?\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe lens is designed for Nikon FX-format cameras and provides its native 24mm perspective on compatible full-frame bodies.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cspan\u003eWhat field of view does it give on DX?\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eNikon DX cameras produce framing comparable to approximately 36mm on full frame because the smaller sensor records a narrower portion of the image circle.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cspan\u003eHow bright is the Nikon 24mm f1.4?\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIts maximum aperture is f\/1.4, giving a two-stop light advantage over an f\/2.8 lens used at the same shutter speed and ISO.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cspan\u003eDoes it have Vibration Reduction?\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe lens has no built-in VR system. Stabilisation comes from camera support or a compatible stabilised body when used through the correct adapter.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cspan\u003eIs it suitable for night photography?\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe combination of 24mm coverage and an f\/1.4 aperture works well for low-light streets, illuminated architecture and night-sky photography.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cspan\u003eDoes it work for landscapes?\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIts broad FX perspective and 77mm filter thread fit landscape work particularly well, with smaller apertures available for greater depth of field.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cspan\u003eCan it photograph architecture?\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe 24mm field covers buildings and interiors effectively, with careful camera positioning helping control converging vertical lines.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cspan\u003eWhat autofocus system does it use?\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe lens uses Nikon's AF-S Silent Wave Motor autofocus system.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cspan\u003eDoes it support manual focus?\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eM\/A and manual focus modes are supported on compatible Nikon cameras.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cspan\u003eHow close can it focus?\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMinimum focusing distance is approximately 0.25m from the camera's focal plane.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cspan\u003eWhat is the maximum magnification?\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaximum reproduction is approximately 0.18x, providing useful close-detail capability without macro-level reproduction.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cspan\u003eWhat filter size does it use?\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe lens accepts 77mm screw-in filters through a front thread that remains stationary during focusing.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cspan\u003eHow much does it weigh?\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe specified weight is approximately 620g, with dimensions of roughly 83mm in diameter and 88.5mm in length.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cspan\u003eDoes it work on Nikon DX DSLRs?\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCompatible Nikon DX DSLRs accept the lens directly and produce approximately 36mm-equivalent framing.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cspan\u003eCan it be used on Nikon Z cameras?\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCompatible Nikon Z bodies can use the F-mount lens through an appropriate FTZ-series adapter.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cspan\u003eDoes it have an aperture ring?\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe G-type construction has no physical aperture ring, so compatible camera bodies handle aperture adjustment electronically.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cspan\u003eIs a lens hood included?\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe standard manufacturer package includes the HB-51 bayonet hood.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cspan\u003eIs a case included?\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe original manufacturer package includes the CL-1118 soft lens case.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cspan\u003eIs the lens weather protected?\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA rubber gasket around the mount provides added protection at the camera connection, though the equipment is not waterproof.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cspan\u003eDoes 24mm work for portraits?\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe focal length works well for environmental portraits where the person and surrounding location both need to remain prominent.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cspan\u003eWhat comes with the retail-packed lens?\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eStandard package contents include the lens, front and rear caps, HB-51 hood, CL-1118 soft case and product documentation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"TBC","offers":[{"title":"Brand New \/ Sealed Box \/ Full Warranty \/ 182080218404 \/ 2184","offer_id":44169812541660,"sku":"B0037KM0X0","price":942.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0515\/6900\/0607\/files\/nikon-af-s-24mm-f-1-4g-ed-retail-packing-brand-new-sealed-box-276.webp?v=1781797147","url":"https:\/\/norwich-cameras.co.uk\/products\/nikon-af-s-24mm-f-1-4g-ed-retail-packing","provider":"Norwich Cameras","version":"1.0","type":"link"}