Nikon Z6 Mark II + Z 24-120mm f/4 S (Without FTZ Adapter)

Nikon z6 ii Overview

The Nikon Z6 Mark II + Z 24-120mm f4 S Without FTZ Adapter combines a 24.5MP FX-format mirrorless camera with a native S-Line zoom covering 24mm through 120mm at a constant F4 maximum aperture. The combination supports photography and video across travel, portraits, events, interiors, scenic work, documentary shooting and everyday commercial assignments without requiring frequent lens changes.

The Nikon Z6 Mark II Body forms the imaging platform through its full-frame BSI CMOS sensor, dual EXPEED 6 image processors, 273-point hybrid autofocus system, 5-axis in-body Vibration Reduction and high-speed continuous shooting. Its 24.5MP resolution balances fine image detail against manageable file sizes, giving the body a practical position between entry-level full-frame cameras and high-resolution professional models.

The included Nikon Z 24-120mm f/4 S Lens stretches from a broad 24mm angle through natural mid-range perspectives and into short-telephoto framing at 120mm. Its constant F4 aperture keeps maximum exposure consistent throughout the zoom range and gives the kit a predictable character during still photography and video recording.

The kit belongs to the full-frame mirrorless camera range and uses Nikon's native Z mount throughout. The supplied lens attaches directly to the body, so no adapter sits between the camera and lens. The product name states Without FTZ Adapter because an FTZ unit does not form part of the package.

The combination centres on versatility without moving into an oversized multi-lens setup. Wide views at 24mm cover interiors and broad outdoor scenes, mid-range focal lengths handle documentary work and everyday subjects, and the 85–120mm region supports portraits, event details and compressed compositions.

24.5MP FX-Format BSI CMOS Sensor

The Nikon Z6 II uses a 35.9 × 23.9mm FX-format BSI CMOS sensor with approximately 24.5 effective megapixels. Back-side illumination places supporting circuitry behind the light-sensitive area, helping the sensor collect light efficiently across its surface.

Maximum FX image dimensions reach 6048 × 4024 pixels in the large 3:2 setting. That resolution gives substantial detail for large prints, commercial imagery, wedding galleries and moderate cropping without creating the storage burden associated with 45MP-class files.

The standard sensitivity range runs from ISO 100 to ISO 51200. This range supports bright outdoor conditions at the low end and dim interiors, evening events and available-light portraits at raised sensitivity settings. Full-frame sensor area also supports shallow depth with bright lenses and stronger control over subject separation.

The 5-axis stabilisation system works alongside the sensor to reduce the visible effect of camera movement. During low-light photography, this combination gives extra flexibility with static scenes and controlled portrait situations. Moving subjects still demand shutter speeds appropriate to movement.

NEF RAW recording supports 12-bit and 14-bit files, giving photographers substantial flexibility for tonal and colour adjustment. JPEG capture covers finished output with smaller file sizes, and RAW plus JPEG records both formats during the same exposure.

Dual EXPEED 6 Image Processing

The Z6 II uses two EXPEED 6 processors. This dual-processor design increases processing capacity over the original Z6 and supports faster continuous shooting, improved buffer behaviour and responsive camera operation during demanding sequences.

Continuous shooting reaches up to 14 frames per second under supported settings. This rate suits wedding moments, changing facial expressions, movement during events, pets and moderate action. The 24.5MP resolution keeps each frame smaller than high-resolution files, helping card capacity and computer storage during long bursts. Viewfinder blackout is reduced during high-speed shooting compared with the earlier generation. A clearer visual connection with the subject supports tracking through movement and reduces interruption during short bursts.

Buffer depth still depends on card type, image format, bit depth and shooting configuration. Fast CFexpress Type B media gives the camera its strongest sustained burst behaviour, especially during RAW sequences.

273-Point Hybrid Autofocus System

The Nikon Z6 II uses a 273-point autofocus system combining phase-detection and contrast-detection methods on the imaging sensor. Focus coverage extends across a broad part of the frame, giving photographers freedom to position faces and moving subjects away from the centre.

Eye-Detection works with human subjects and operates within compatible Wide-Area AF modes. Eye recognition also functions during movie recording, giving the camera a useful people-focused workflow for interviews, portraits, weddings and event filming.

Animal detection expands recognition for supported animal subjects. This provides extra focus assistance during pet photography and general animal work without turning the Z6 II into a specialist wildlife body.

Low-light AF reaches approximately -4.5 EV under supported settings. Dim interiors, evening portraits and reception environments therefore remain within the intended focusing range when enough subject contrast exists. Hybrid AF also supports video. The camera moves between phase-detection and contrast-detection behaviour to maintain smooth focus transitions during recording. AF speed and tracking sensitivity settings provide extra control over transition behaviour.

5-Axis In-Body Vibration Reduction

The existing Z6 II specification includes 5-axis in-body Vibration Reduction. The camera shifts the sensor to counter small movements introduced through handheld shooting, reducing blur from camera shake at slower shutter speeds.

This becomes particularly useful with the supplied 24-120mm F4 S because the lens has no optical VR system. Stabilisation comes from the body across the complete zoom range, covering wide-angle shooting at 24mm and the greater sensitivity to hand movement found near 120mm.

The system supports static scenes, interiors, evening streets, still portraits and handheld video. Subject movement remains separate from camera movement, so action still needs enough shutter speed to keep moving details clear. Body stabilisation also extends across other native lenses. A photographer later adding primes or unstabilised Z zooms keeps sensor-shift support without depending on optical VR inside each lens.

24-120mm Constant-F4 Zoom Range

The included lens covers a 5x focal range from 24mm to 120mm. At 24mm, the field suits interiors, architecture, travel scenes, groups and broad scenic compositions. Around 35mm and 50mm, the lens supports documentary photography, street work, environmental portraits and everyday subjects.

The longer part of the range changes the visual character. Around 85mm, portrait framing gains tighter perspective and stronger separation from distant backgrounds. Moving toward 105mm and 120mm increases compression and gives event details, portraits and distant features greater prominence.

The constant F4 aperture remains available from 24mm through 120mm. Exposure therefore stays predictable during zoom movement, especially useful under manual exposure and during video recording. A variable-aperture zoom changes its maximum opening as focal length increases, but this lens keeps F4 throughout its range.

The Nikon Z6 Mark II with 24-70mm F4 S uses the same camera body with a shorter standard zoom. The 24-120mm kit extends the telephoto end by another 50mm, giving portraits, event details and distant subjects extra framing flexibility from the same position.

S-Line Optical Construction

The NIKKOR Z 24-120mm F4 S uses 16 elements in 13 groups. Its optical formula includes three ED elements, one aspherical ED element and three aspherical elements. The combination controls chromatic aberration, spherical aberration and other optical errors across a broad focal range.

ED glass addresses colour separation that becomes visible around high-contrast edges. Aspherical elements help control distortion and aberration without forcing the optical system into a much larger physical design. Nano Crystal Coat and ARNEO Coat reduce internal reflections produced by strong light entering from different angles. This supports contrast around bright windows, direct light sources, evening lamps and backlit subjects.

A fluorine coating protects the front optical surface against moisture, grease and dirt. This coating also simplifies routine cleaning after outdoor use.

The Nikon Z lens range for travel, portraits and wildlife includes specialist primes, telephotos and faster zooms, but the 24-120mm retains a distinct role through its 5x focal coverage and constant F4 aperture.

Multi-Focus STM Autofocus in the Lens

The 24-120mm F4 S uses a multi-focus design with two separate AF drive units working in synchronisation. Each unit uses stepping-motor technology, supporting accurate focus movement across the zoom and focusing ranges.

Quiet operation benefits still photography in ceremonies and other restrained environments. Video work also gains smoother focus movement without prominent mechanical noise from the focusing system.

Internal focusing means the main external barrel does not extend as focus distance changes. The lens still changes physical length through zoom movement, but focusing itself takes place internally.

A dedicated manual-focus ring provides tactile focus adjustment. The separate control ring accepts camera functions assigned through the body, and the L-Fn button adds another programmable control directly on the lens barrel.

0.35m Minimum Focus and 0.39x Reproduction

The 24-120mm F4 S focuses as close as approximately 0.35m throughout its zoom range. Keeping the same minimum distance across 24–120mm gives the lens useful close-range flexibility without forcing the photographer to memorise different distance limits at different focal lengths.

Maximum reproduction reaches approximately 0.39x. This does not turn the lens into a true macro optic, but it gives food, flowers, product details, textures and small objects enough frame presence for many everyday assignments.

Close work at 120mm gives a different result from close work at 24mm. The telephoto end narrows the angle and increases background compression, producing cleaner isolation around details. At 24mm, close subjects retain a greater surrounding environment and stronger perspective. The broad focal range therefore serves normal photography and detail work without a lens change, an important advantage during travel and event coverage.

UHD 4K and Full HD Video Recording

The existing Z6 II video specification includes UHD 4K recording at up to 30p using full pixel readout. This gives the camera detailed 4K footage with the full-frame sensor area available for broad framing and shallow-depth compositions.

Full HD 1080p recording reaches 120p. High-frame-rate capture supports slow-motion output for movement, event details, products and creative sequences. Current firmware support extends UHD 4K recording to 60p with a DX crop. The cropped sensor region narrows the field of view, so the supplied 24mm lens position produces tighter framing during this recording mode than during full-frame 4K30.

The combination of 4K30 full-frame recording and cropped 4K60 gives two distinct approaches. Full-frame recording prioritises field of view and full sensor use, and the 60p mode prioritises higher motion cadence. Electronic VR provides another stabilisation option during movie recording. Electronic correction crops the recorded image slightly, so framing needs adjustment when the function is active.

Focus Peaking highlights areas near the selected manual-focus plane. Zebra patterns identify bright exposure regions, helping camera operators control highlights before recording.

10-Bit HDMI, N-Log and HLG

External recording expands the Z6 II video workflow beyond standard internal files. HDMI output supports high-quality 10-bit data, increasing colour information available for post-production compared with conventional 8-bit recording. N-Log provides a flatter tonal profile intended for colour grading. The flatter image preserves a broader range of tonal information for controlled post-production and multi-camera matching. HLG supports HDR-oriented recording and output. This format provides a route toward HDR playback without the same grading approach used with logarithmic footage.

The newer Nikon Z6 III Body moves into a newer generation of processing and internal recording, but the Z6 II retains a practical external-video workflow centred on 10-bit HDMI, N-Log and HLG.

EVF, Rear Touchscreen and Top OLED

The electronic viewfinder uses an OLED panel with approximately 3.69 million dots. It provides eye-level framing, exposure preview and shooting information in a familiar camera position.

The rear 3.2-inch display carries approximately 2.1 million dots. Its tilting construction supports low-angle and high-angle shooting without forcing the photographer into an uncomfortable viewing position.

Touch operation supports focus positioning, playback and menu interaction. The screen keeps the camera efficient during tripod work, detail photography and overhead compositions. A dot-matrix OLED on the top panel displays major exposure and status information. Shutter speed, aperture, battery condition and related settings remain visible without opening the rear display.

Dual Memory-Card Architecture

The Z6 II uses two card slots. One supports CFexpress Type B and XQD media, and the second accepts UHS-II SD cards. This arrangement strengthens the camera's professional workflow compared with the single-slot original Z6.

The camera supports backup, overflow and file-separation strategies according to recording settings. Wedding and event work benefits from duplicate recording, reducing dependence on one storage card during important assignments.

CFexpress Type B supports high write speeds for long bursts and demanding recording tasks. UHS-II SD cards remain widely available and fit everyday still photography, secondary recording and transfer workflows. The mixed-media system gives access to high-performance storage without forcing every shooting task onto CFexpress.

900-Second Exposure and Focus Shift

Timed long exposures extend to 900 seconds, equal to 15 minutes, under supported settings. Long static exposures therefore need less reliance on a separate remote release for many night, architectural and long-exposure compositions.

Focus Shift records up to 300 sequential frames with the focus position moved between exposures. These files support focus stacking for scenes requiring depth beyond one normal exposure. Product photography, static close work and detailed objects benefit from the feature. The 24-120mm lens's 0.35m close-focus distance gives the combination extra usefulness for controlled detail photography.

Interval-based work, long exposures and Focus Shift also benefit from USB-C power during extended sessions.

USB Type-C Power

The USB Type-C connection supports in-camera charging and compatible continuous power. This matters during long video sessions, extended static photography and desk-based work because the camera does not rely only on one internal battery cycle. The camera uses an EN-EL15c rechargeable lithium-ion battery. Compatible older EN-EL15-series batteries have varying charging and performance support depending on battery generation.

Long sessions also benefit from the optional MB-N11 power battery pack, which adds extended power and vertical controls to the Z6 II body. USB communication supports data transfer alongside power-related functions, giving the body a modern wired connection for computer-based workflows.

SnapBridge, Wi-Fi and Bluetooth

SnapBridge uses Bluetooth Low Energy and Wi-Fi for communication with compatible smart devices. The existing functionality includes image transfer, remote camera operation and supported firmware updates. Automatic low-resolution transfers suit quick mobile workflows after events or travel sessions. Higher-quality files also move through supported wireless transfer settings when needed.

Remote live view places the camera away from normal handholding positions during static setups, group photographs and controlled compositions. Firmware delivery through SnapBridge reduces dependence on card-based update procedures and keeps camera maintenance integrated with a connected mobile device.

The Nikon mirrorless system now spans several processor generations, yet SnapBridge remains a common connection layer across many Nikon Z bodies.

Without FTZ Adapter

The supplied 24-120mm F4 S uses Nikon's native Z mount and attaches directly to the Z6 II. Autofocus, electronic aperture control, lens information and programmable controls operate through the native connection. An FTZ adapter does not form part of this kit. Nikon F-mount lenses from DSLR systems need a compatible FTZ or FTZ II unit before mounting on the Z6 II.

A photographer starting with native Z lenses has no technical requirement for an adapter with the supplied combination. Existing Nikon DSLR users need to account for an adapter only when bringing compatible F-mount lenses into the setup. The absence of an FTZ unit therefore changes the included accessories, not the operation of the supplied camera and 24-120mm lens.

Handling and Combined Weight

The Z6 II weighs approximately 705g with battery and memory card. The 24-120mm F4 S weighs approximately 630g, bringing the core combination to roughly 1.34kg before a hood, strap, filter or other accessory is attached.

The camera's deep grip gives the right hand a secure hold, and the left hand naturally supports the lens barrel. This distribution keeps the setup balanced across the broad zoom range.

The lens measures roughly 84mm in maximum diameter and 118mm in length. Its 77mm filter thread accepts a common professional filter diameter used across several standard and telephoto lenses.

Within the current Nikon camera range, the Z6 II remains compact beside large professional bodies, but the 24-120mm lens gives the finished kit enough mass to feel substantial during a full day of handheld work.

Ideal Use Cases For This Camera

Travel Photography

The 24-120mm focal range covers wide locations, street scenes, people, food, architecture and distant details from one mounted lens. The 24.5MP body keeps image files manageable during long trips, and in-body stabilisation supports handheld scenes after light levels fall.

Wedding and Event Photography

The 273-point AF system, Eye-Detection, 14fps burst rate, dual-card recording and 5-axis VR fit ceremonies, receptions and event coverage. The constant-F4 zoom gives predictable exposure as framing shifts between groups, individuals and venue details.

A brighter prime remains useful for extremely dim interiors or stronger background separation, but the supplied zoom covers a large part of a normal event sequence without interruption.

Portrait Photography

Focal lengths around 70mm, 85mm, 105mm and 120mm give flattering portrait perspectives from practical distances. At the longer end, background compression increases and distracting details lose prominence.

F4 produces useful separation when subject-to-background distance is generous. Portrait specialists seeking extremely shallow depth still gain a different visual character from F1.8, F1.4 or F1.2 primes.

Scenic and Outdoor Photography

The 24mm end supports broad scenes, architecture and environmental compositions. The 120mm end isolates distant features and compresses layered scenery.

The constant aperture supports exposure consistency when working through several focal lengths under changing compositions.

Video Production

Full-frame 4K30, cropped 4K60, FHD120, 10-bit HDMI, N-Log, HLG, Focus Peaking, Zebra patterns and Electronic VR give the body a broad video toolkit.

The lens adds quiet STM autofocus, a constant F4 aperture and wide-to-telephoto coverage, reducing equipment changes during interviews, events and travel footage.

Performance And Real-World Capabilities

The main strength of this kit comes from balance. The body avoids the storage and processing demands of a very high-resolution sensor, yet 24.5MP remains enough for large prints, commercial galleries and normal cropping. The lens covers a broad focal range without moving to a variable aperture.

At 24mm, the system handles interiors, architecture and environmental work. Mid-range positions produce natural framing for documentary photography and people. The telephoto end supports portraits, stage details and compressed outdoor subjects.

Dual EXPEED 6 processors keep the camera responsive during bursts, and dual memory slots strengthen assignment security. In-body stabilisation supports the unstabilised lens throughout its entire focal range. A Nikon Z7 Mark II with 24-120mm F4 S pairs the same lens concept with a 45.7MP sensor. That combination places stronger emphasis on resolution, detailed commercial work and extensive cropping. The Nikon Z8 with 24-120mm F4 S moves the same focal coverage onto a 45.7MP stacked-sensor platform with much faster processing and action capability.

The Nikon Z6 III with 24-120mm F4 S keeps the 24.5MP class but moves into a newer processing generation with stronger high-speed and video functions. The Z6 II remains centred on conventional full-frame photography, moderate file sizes, reliable autofocus, 14fps bursts and established 4K recording. That combination suits work that values balanced performance over the newest high-speed specification.

Advanced Features and Modern Connectivity

Eye-Detection and animal recognition reduce manual focus-point placement during people and pet photography. Wide-Area AF modes provide greater control over the region used for subject recognition.

Focus Shift extends the body into controlled close work, and the 900-second exposure timer supports long static exposures. Focus Peaking supports manual-focus precision, with Zebra patterns monitoring bright areas during video.

The dual-card system adds recording flexibility, and USB-C power supports extended shooting. SnapBridge brings mobile transfer, remote operation and supported firmware management into the same camera.

A Nikon Z6 III performance setup uses newer sensor and processor technology, but many of the Z6 II's practical controls remain familiar across the generation. The supplied lens extends that control system through an L-Fn button, separate control ring, zoom ring and manual-focus ring. These physical controls reduce dependence on body menus during active shooting.

Practical Limitations

The Z6 II uses an earlier autofocus and processing generation than current EXPEED 7 bodies. Fast erratic action and newer subject-recognition categories receive stronger support from later Nikon cameras.

Full-frame UHD 4K recording reaches 30p. UHD 4K60 uses a DX crop, narrowing the field of view and reducing the wide-angle coverage available from the 24mm lens position.

The rear screen tilts for high and low shooting positions but does not rotate forward. Camera-facing solo video work therefore lacks the direct self-view available from a fully articulating display. The supplied lens holds F4 throughout its range. That constant aperture is valuable for exposure consistency, but it gathers less light than F2.8 zooms and bright primes.

The combined camera and lens weight reaches roughly 1.34kg before extra accessories. Long handheld sessions therefore place greater load on the hands and shoulder than a small body with a compact kit zoom. An FTZ adapter is absent from the package. Existing F-mount lenses need a compatible adapter before use on the Z6 II.

Position Inside the Nikon Z System

The Z6 II sits between simpler full-frame bodies and newer high-speed Nikon models. Its 24.5MP sensor, dual EXPEED 6 processing, 14fps burst rate, 5-axis VR and dual cards give it a balanced specification for mixed photography. The Nikon Z6 III Body advances the series with newer processing, faster sensor readout and expanded video functions. The older Z6 II retains the same broad full-frame position with a simpler performance target.

The 24-120mm lens remains useful across both generations because camera development does not change its focal coverage. A constant-F4 24–120mm zoom still bridges wide, standard and short-telephoto work in one lens.

The smaller Nikon Z 24-70mm F4 S Lens covers the central standard range with less telephoto reach. The 24-120mm extends the same F4 concept into portrait and detail focal lengths. A system built around essential Nikon Z lenses often adds specialised primes or telephotos later, yet the 24-120mm already covers the central focal range needed by many general photography assignments.

FAQs

Is the Nikon Z6 II full frame?

Yes. The camera uses a 35.9 × 23.9mm FX-format BSI CMOS sensor with approximately 24.5 effective megapixels.

What lens comes with this kit?

The kit includes the NIKKOR Z 24-120mm f/4 S, covering 24mm through 120mm with a constant F4 maximum aperture.

Does this kit include an FTZ adapter?

No. An FTZ adapter is not included. The supplied lens uses a Nikon Z mount and attaches directly to the body.

Does the Nikon Z6 II include image stabilisation?

Yes. Five-axis in-body Vibration Reduction moves the sensor to compensate for small camera movements.

Does the 24-120mm lens have optical VR?

No. Stabilisation with this kit comes from the Z6 II body.

Does the Nikon Z6 II record 4K60 video?

Yes. UHD 4K60 recording operates with a DX crop. Full-frame UHD 4K recording reaches 30p.

Does the Nikon Z6 II record slow motion?

Full HD recording reaches 120p, providing high-frame-rate footage for slow-motion output.

What memory cards does the Nikon Z6 II use?

One slot accepts CFexpress Type B or XQD media. The second accepts UHS-II SD cards.

What is the minimum focus distance of the 24-120mm lens?

Minimum focus distance is approximately 0.35m throughout the zoom range.

What is the maximum reproduction ratio?

Maximum reproduction reaches approximately 0.39x.

What filter size fits the included lens?

The NIKKOR Z 24-120mm f/4 S uses a 77mm filter thread.

Does Eye-Detection work during video?

Yes. Eye-Detection operates during supported movie AF modes.

Does USB-C support continuous power?

Yes. Compatible USB-C power supports extended shooting alongside in-camera charging.

What does Without FTZ Adapter mean?

The package contains no FTZ mount adapter. The supplied Z-mount lens needs no adapter for use with the camera.

How heavy is the camera and lens combination?

The camera weighs approximately 705g with battery and memory card, and the lens weighs approximately 630g, producing a core combined weight near 1.34kg.